synthetic.purple.

tea-tears-and-bbc:

ballerina-austin:

deductionswiththedoctor:

So we started reading Romeo and Juliet in English class and i yelled out SPOILER: Romeo and Juliet die… and i shit you not at least 1/3 of the class got really pissed at me beacuse they didnt know thats how it ended

IT TELLS YOU IN THE PROLOGUE

CIVIL BLOOD MAKES CIVIL HANDS UNCLEAN

WHAT DID YOU THINK THEY WERE TALKING ABOUT, SOMEONE GETTING A PAPERCUT

(Source: waywardwanders, via fangirlinginc)

Posted 2 hours ago

b-the-nereid:

urbanenatural:

Yes Ellen.

i will make it tsunami for kerry.

anything for kerry.

(Source: tonygoldwyns)

sloth-grunge:

do you think if i die now i’ll have enough time to be reincarnated as kim kardashians baby

(via aliceteki)

Posted 5 hours ago

theweaponofchoice:

I wonder how many Christians are going to complain about this

(via fish-kitten)

(via bunnyonplanetq)

"You mean the generation that paid three times as much for college to enter a job market with triple the unemployment isn’t interested in purchasing the assets of the generation who just blew an enormous housing bubble and kept it from popping through quantitative easing and out-and-out federal support? Curious."

—

When comments are better than the article, Atlantic edition (“The Cheapest Generation: Why Millennials arent’ buying cars or houses, and what that means for the economy”)

Every time someone says we’re a lazy and entitled generation I’m going to show them this

They should be happy most of us haven’t moved to the moon yet

That actually sounds like a good idea at this point

(via setfabulazerstomaximumcaptain)

(Source: bostonreview, via rhysriverrunning)

Posted 6 hours ago

johnwaters:

i just read a cnn article about the “obesity epidemic” and they mentioned grilled cheese on sourdough bread so i got hungry and i made myself a sandwich at fuckin 3am, thanks cnn, THANKS OBAMBO

(via feelings-princess)

Posted 6 hours ago

artphotocollector:

“When you set up pictures, you’re not at any risk. Reality involves chance and risk and diving for pearls.”—Nan Goldin

Fifty years ago, during a tumultuous 1963, Constantine Manos joined Magnum Photos. Reared in South Carolina to Greek immigrant parents, he has for over 60 years taken photographs that are about light, shadow and what can be revealed in a moment. His pioneering work in color, and recognized expertise with a Leica still capture our attention.

The Museum of Art Ft. Lauderdale’s latest show, Florida Color, mines work from Manos’s “American Color” series. While this work has already received wide acclaim, I wonder what Floridian’s make of seeing images of their compatriots inside a museum. Are they a mirror or a window? —Lane Nevares